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Theatre review originally published February 2, 2017 in the Greenville News
“The Book of Mormon” is going to offend you.
Whether it’s a concept or an action or the explicit language, you are almost certain to be offended, or at least find yourself cringing, at some point during the show.
But, even more than that, it will make you laugh. And it will make you feel like dancing, and make you laugh some more, and, finally, make you rise to your feet to give it a well-deserved standing ovation.
Returning to the Peace Center this week after a sold out run in 2014, “The Book of Mormon” is top-notch entertainment and one of the funniest nights of musical theater you will ever see. Don’t make the mistake of missing it. Continue reading “Review: Book of Mormon funny, offensive”
Theatre review originally published November 30, 2016 in the Greenville News.
For those of a certain age, Miracle on 34th Street is one of a handful of beloved holiday films that played in regular rotation each December. Others were such classics as White Christmas, It’s A Wonderful Life, and various versions of A Christmas Carol. The dialogue and characters – and the actors who brought them to life – are as familiar as our own childhood living rooms.
Others may not have been so lucky. Miracle on 34th Street: The Musical, now playing at Greenville Little Theatre, tries to capture both audiences. It sticks close to the original screenplay, about a Macy’s Santa who may actually be the real thing, while adding a few songs to help give it a more theatrical appeal. Continue reading “GLT’s Miracle on 34th Street Affirms the Magic of Christmas”
I’ve now been using the Happier app for a year.
In honor of that anniversary, here’s an article I wrote about the app featuring some local users.
Amy Oliver wanted to follow her therapist’s advice.
“She wanted me to start keeping a gratitude journal,” recalls Oliver, a 44 year old who lives in Clinton. “And I was constantly forgetting.”
Then she remembered an app called Happier that she’d seen on the iPhone app store. “I thought maybe that would be a good way to do it, to keep track of things without having to write it in the journal every day,” she says. “I became hooked really, really quickly.”
Happier launched one year ago, and was named one of 2013’sbest apps by Time Magazine. The brainchild of Nataly Kogan, Happier is based on scientific studies showing that people who write down a few positive things about their day are healthier, more energetic, less stressed and anxious, and get better sleep. The app makes it easy to share those little happy moments.
“If you actually use Happier, if you get into the habit of finding small positive things, it actually makes you happier,” says Kogan. “We have thousands, tens of thousands of emails from people that tell us just how much this has impacted their life, which is amazing.”
“It helped me to celebrate the tiny little moments that I might otherwise just forget about,” says Oliver. “The fact that other people can ‘smile’ at your moments, it helps me to realize that it’s not so stupid that I’m enjoying a coffee at Starbucks.”
Kogan sees these little moments as validation of a larger truth. “To be happy in life, you don’t need a billion dollars, you don’t need to go to the moon, you don’t need to have the perfect wife, husband, career – you can appreciate having a coffee at Starbucks. I can appreciate that I got in my car and had heated seats. I’m not going to post that on Facebook, it’s not a status update, it’s not anything epic. But you know what? I’m really grateful.”
Eighteen year old Rachel DeSilva, a senior at Spartanburg’s Chapman High, joined Happier with the intention of becoming more optimistic. “Before Happier I used Facebook, Twitter and Tumblr,” she says. “They’re completely different because mostly people try to down you or complain or show how their life is better than yours in some way…But Happier is just everyone sharing their happy moments of the day and instead of ‘liking’ their status, you ‘smile’ at their happy moment. I personally love the confetti that it shows when you share your happier moment.”
Kogan recently launched a 21-day gratitude course that can be taken within the Happier app. She’s following that up with a 7-day meditation course and, later, a short yoga course. It’s all about finding ways to look for good things even when things don’t seem so good.
“It’s a place for teaching each other that these tiny moments are there, even on the bad days,” says Kogan, “and, yeah, you actually should appreciate them. It’s a moment, it’s not just the blur of life.”
I wrote a book.
It’s called “Growing Greenville for 50 Years: A Celebration of Greenville Technical College 1962-2012.”
Produced for the college’s 50th anniversary, the book was released last night at a celebratory gala. I am co-author, having written many of the chapters and helped arrange the overall flow.
It was a fun project to work on and I’m proud of the result – it’s a great looking book. And I learned a lot about the huge effect Greenville Tech has had – and continues to have – on the community.
One of the first podcasts I discovered, many years ago now, was This Week in Science. Originating from UC Davis, the radio show/podcast features Dr. Kiki and Justin Jackson delivering science news and opinion in a fun, freewheeling, conversational style. I always enjoyed listening to it and hearing the latest news of World Robot Domination and mind-controlling toxoplasma gondii and Justin’s weekly Disclaimers and their signature sign off – “Remember, if you learned anything from today’s show, it’s all in your head.”
For a couple of years, TWiS put together CDs of original science-themed music to act as a fund raiser. The last one they did featured the World Robot Domination song I wrote (and my brother performed and produced). The year before that, I contributed another song, again one I wrote and my brother produced and performed. It was intended to be a Theme Song for This Week in Science and the hosts began playing it at the close of every episode, which made me very proud.
It was inspired by Dr. Kiki’s mention on the show that they didn’t have an original theme song. So I decided to write one. The lyrics and tune came to me pretty quickly. I sketched it out then sang it, a cappella, to my brother, who ran with it and made it one hundred percent more awesome.
I still REALLY like the song. I think it’s fun to listen to and features lyrics that will mostly reward other long time TWiS listeners.
Here it is. I hope you enjoy it.
Here’s my own personal disclaimer. As I wrote it, I heard Danny Elfman singing it in my head and the mighty horns and percussion and guitars of Oingo Boingo performing it.
This interview was originally published in Creative Loafing.
“We have been doing magic together for twenty-five years, and are so sick of it we could spit. So, in the new show, we are moving into the field of religion and will be performing real miracles.”
Penn & Teller arrive in Greenville on January 18 for an evening at the Peace Center that promises, if not miracles, at least some brushes with death.
“There’s plenty of death,” Teller told me in a recent telephone interview. “Good, funny death.”
Teller is the shorter, usually silent half of the team. Penn, on the other hand, is tall and (as Teller puts it) “brilliantly articulate.” Together, they’ve been mystifying audiences for more than two decades. After catapulting to fame in the mid-eighties with fabled appearances on “Late Night With David Letterman” and their Obie award winning (“For Whatever It Is They Do”) Off-Broadway show, the pair have dabbled in books, television specials, their own movie (Penn & Teller Get Killed) and even an appearance in Walt Disney’s Fantasia 2000. But recently they’ve been focusing most of their attention on their live show.
This interview was originally published in Creative Loafing.
When a replacement was needed to play the lead in the Broadway musical Jekyll and Hyde, theatre execs decided to look for someone from the world of rock and roll in hopes of attracting a different audience to the play, then in its fourth year. They turned to Sebastian Bach, former lead singer of the hard rock band Skid Row (who scored with hits like their Slave to the Grind album and the singles “18 and Life” and “I Remember You”). New audiences came to the show, pleasing the producers and creating a new career path for a rock and roller who was tiring of life on the road. But now that he’s starring in a revival of the “rock opera” Jesus Christ Superstar, Bach comes full circle.
“Right before Broadway,” Bach recalled in a recent telephone conversation, “I was on the road with my solo band, doing 90 dates across the U.S., and I was like, man, wouldn’t it be great if I could just play in one place and the crowds could come to me instead of all this traveling. Then I got on Broadway, so that came true. Then when I was on Broadway, I was like, man, what a drag it is that this is only in one city, I’d love to take this around to all the other cities. And now that’s exactly what I get to do. I get to bring Jesus Christ Superstar, the Broadway show, to Greenville and I’m so excited about that.” Continue reading “From the Deep Archives – Sebastian Bach, Superstar: Former Skid Row lead singer plays Jesus at Peace Center”
Theatre review originally published in MetroBeat.
At Jim’s Garage, an auto repair shop in a small North Carolina town, you’re as likely to hear the mechanics singing as tune up your car. Jim, the amiable owner/operator, keeps a guitar on him at all times. As for the shop’s three mechanics, the laid-back ZZ burns up both an upright and electric bass, while Purvis, the town stud just back from the military, plays lead guitar and Dee usually sings back up. Dee is the newest mechanic, and she (yes, she) knows her way around a carburetor, sports an angelic voice and has a few ideas that might just shake up the auto industry. The shop’s receptionist, Ivy, also sings back-up and is certain that if she’s chosen as the pin-up girl for this year’s Jim’s Garage calendar, that’ll be her ticket to the big time. Merle, the straightlaced bookkeeper, takes his place on piano and mandolin. And if you’re really lucky, Purvis’ Aunt Ethyl may show up, eager to add her voice to the proceedings before inviting you to a pig-pulling.
That’s a typical day at Jim’s Garage, the endearing and “high octane” country musical now making its world premiere at Flat Rock Playhouse.
Theatre review originally published in MetroBeat
It opens quietly, the magnificent voice of Reva Rice singing that “Life is Just a Bowl of Cherries,” then explodes into a fast-paced evening of dance excitement. Fosse-the Musical, quite simply, rocks. From the Stomp-like “Percussion 4” to the sex-drenched “Take Off With Us” to the electrifying finale set to Benny Goodman’s “Sing, Sing, Sing,” Fosse never ceases to draw us into the magical world of one of Broadway’s all-time greats.
Fosse was conceived by Richard Maltby. Jr., Chet Walker and Ann Reinking as a tribute to and celebration of the choreography of Bob Fosse (1927-1987), the only person to win an Oscar, a Tony and an Emmy in the same year, all for directing. Reinking in particular has impeccable credentials to stage such a piece: not only was she Fosse’s long-time lover, she also danced for Fosse both on stage and on film. Continue reading “From the Deep Archives – Razzle Dazzle at the Peace Center: Fosse- the Musical Snaps, Crackles and Pops”