Theatre review originally published in MetroBeat.
At Jim’s Garage, an auto repair shop in a small North Carolina town, you’re as likely to hear the mechanics singing as tune up your car. Jim, the amiable owner/operator, keeps a guitar on him at all times. As for the shop’s three mechanics, the laid-back ZZ burns up both an upright and electric bass, while Purvis, the town stud just back from the military, plays lead guitar and Dee usually sings back up. Dee is the newest mechanic, and she (yes, she) knows her way around a carburetor, sports an angelic voice and has a few ideas that might just shake up the auto industry. The shop’s receptionist, Ivy, also sings back-up and is certain that if she’s chosen as the pin-up girl for this year’s Jim’s Garage calendar, that’ll be her ticket to the big time. Merle, the straightlaced bookkeeper, takes his place on piano and mandolin. And if you’re really lucky, Purvis’ Aunt Ethyl may show up, eager to add her voice to the proceedings before inviting you to a pig-pulling.
That’s a typical day at Jim’s Garage, the endearing and “high octane” country musical now making its world premiere at Flat Rock Playhouse.